BISCUITS PHOTOGRAPHY TIPS 

 

02/04/2022

Tips to remember in biscuit photography

1. LIGHTING IS EVERYTHING

The backlight is key to texture and making it appetising looking. This will also allow any steam to show up in the image. Steam or smoke will show up prominently when lit from behind. The one that has the light skimming across it from behind makes look crisp and fresh, the other one just seems flat and unappealing.

2. CHOOSE THE HERO BISCUIT

It’s very important to choose the best pieces among the better. Hero biscuit is that one piece which is better from other ok biscuits. which is fresh, with crispy edges, perfect shape, and which has visible ingredients.Because If the skin looks wrinkled, scarred or damaged take it out and get a new one – or angle it in such way so as not to see the bad side. This seems obvious but sometimes it’s easy to miss. You’re often photographing these things really close up so even the tiniest flaws will show up. Check them over closely and be ruthless when you buy products for biscuit photography.

3.USE SIMPLE PROPS INCLUDING RAW INGREDIENTS

Simple plates, cutlery, etc. and raw ingredients make great extra props. When I did a lot of food photography I had a cupboard full of different plates, placements, and bowls, but only one of each! Stick to non-patterned plates and bowls so the food stands out more for biscuit photography.

4. SURROUND YOUR HERO #Biscuit Photography

When shooting from the front of the food try to keep a great foreground and background to play with. Use these empty spaces to tell more of a story. Surround your main dish with ingredients and props that relate to the food.

5. USE SNOOT FOR A BEAM OF LIGHT ON THE RIGHT SPOT 

Snoots direct your light-weight and focus it inward. This makes the coverage terribly slender and therefore the light’s fall-off terribly sharp.

An olfactory organ could be a tube that matches over a {strobe|stroboscope|strobe light-weight|scientific instrument} or studio light-weight to direct the sunshine during a targeted area unit and prevents light spill from moving into your shadows. within the video, Morgan shows, however, an olfactory organ will be created reception with black wrap (a black atomic number 13 foil).

Using an olfactory organ provides a harsher or more durable lightweight, adding tons of distinction on your subject. once employing a grid, the sunshine is softer. A grid permits the sunshine to bounce around, that means your light-weight is coming back from multiple places, whereas an olfactory organ directs the sunshine while not permitting it to bounce.

With an olfactory organ, you get a little space of coverage, less light-weight spill, and additional outlined edges within the light-weight. Another bonus from employing an olfactory organ is that you simply will build them any size you prefer, whereas a grid solely comes in four sizes. An olfactory organ will be a good thanks to attaining the dramatic look you’re going for and it’s terribly simple to create one yourself with the correct materials.

6. CHOOSE THE RIGHT SURFACE 

Wooden cutting boards and picnic tables can give a more rustic feel and look great for presenting more homey foods like burgers and fries. Classic white plates can give colourful foods a more vibrant pop. You’ll want to choose plates that best align with the food’s aesthetic and are able to bring out the strengths of the food’s visual appeal.

7. USE HONEYCOMB FOR A PARTICULAR HIGHLIGHT

Honeycomb Grid is a grid that has a honeycomb structure, which aims to cut off the light and make the lighting spot narrower. It is used with reflectors, beauty dishes, soft-boxes, snoots, and other lighting modifiers. Honeycomb grids are classified by the size of the lighting spot formed by lighting modifier. Usually between 5-10 degrees (narrow) to 30-40 (broad), wherein this difference of angles could be made either by the width of every honeycomb’s cell or by its depth: the greater the depth and the narrower the cell respectively, the narrower the lighting spot. This property determines their primary use. 

8. SIDELIGHT IS A GREAT ALL ROUNDER

Side lighting is a great all-rounder. It works for nearly every situation, so it’s a solid skill to have up your sleeve.

To light this shot, I’m positioning the light on a slight diagonal to the food, to give the shadows a bit of direction, and again I’m also raising the light higher above the set, and angling it downwards onto the set slightly.

When setting up your scene for biscuit photography, play around with the direction of the light. The direction of the shadows in a slide lit shot has a huge impact on the look of the final photo. Depending on the angle you’re shooting your scene, a different direction may look better, so for a top-down shot you may want the light higher up and pointing down on your scene more, and for a straight on shot you might want the light a bit lower to give you the opportunity to give your shadows more direction.

For biscuit photography, I’m going to place a reflector directly opposite the light, to fill the shadows slightly, creating a light, bright look. If you’re going for a darker, moodier look where you want the shadows to create a lot of contrast on your food, you can either leave the reflector out of the setup or even use a black fill card to absorb more of the light to accentuate the shadows.

9. USE A CLEANING BRUSH

Use a brush to clean the biscuits, product to give a clean and deep texture. Which will give your product a highlight and details for a sharper shot.

10. RULE OF ODD 

Did you recognise that numbers play a giant role in composition? In food styling and biscuit photography, it’s aforementioned that odd numbers usually produce an improved composition. therefore 3 (cups/plates) typically create an improved composition /photo than 2. Of course, this is often a guideline and not a requirement and that I have shot some nice photos with two or four subjects. however, I actually have to admit that odd numbers usually create an improved composition /photo. you will have detected of: ”the worst image is that the image ne’er taken”. Well, this is applicable here too. If solely|you simply|you merely} have 2 matching plates otherwise you created only 2 Biscuits, then don’t feel insecure once styling the set. If your composition is sweet, you’ll generally notice that it doesn’t get to be perturbing once there are an excellent range of plates.

JEWELLERY PHOTOGRAPHER

02/04/2022

JEWELLERY PHOTOGRAPHER

Taking sensible quality photos of knickknack for many is Associate in Nursing unsolved mystery. However, their square measure some straightforward techniques employed by the skilled, that even amateur photographers will use to get dramatic results with the lowest effort. the subsequent examples show the essential setup that ought to enable anyone to attain results they will be happy with. Ajay Walia is a professional Jewellery Photographer.
We have a tendency to used TabletopStudio lights because the primary light, equipped with true color daylight balanced compact fluorescent bulbs. we have a tendency to conjointly used a special Diamond dazzler junction rectifier bulb to illuminate the diamonds and faceted gems within the example pictures on this page.

The keys to sensible jewelry photography square measure sharpness, lighting, exposure, and within the case of gem photography, making some sparkle. sensible jewelry photography wants sharp, crisp focus. it’s valued obtaining out your camera’s manual to search out out a way to place the camera in “spot focus” mode. the traditional focus mode of digital cameras is a few types of average focus mode. which means that the camera can consider a good space of a scene and base the main target on its space.

JEWELLERY PHOTOGRAPHY FOR ONLINE SALE

It’s higher for jewelry photography to place the camera into spot focus mode. This can enable you to manage a lot of exactly what the camera is specializing in. However, even in spot focus mode several digital cameras cannot very “lock-in” on a tiny low shiny object like gem jewelry mistreatment automotive vehicle focus. So sadly, for close-up jewelry photography, you wish a camera with sensible manual focus capability.
Another key to a pointy image may be a stand. it’s fully essential to use a stand or similar camera support once shooting jewelry. A durable stand is healthier than a flimsy one, however, any stand is over and over higher than no stand. Use a stand. Ajay Walia have more than 30 years’ experience in the field of jewellery photography and many more.

Another key to sensible jewelry photography is that the lighting. ordinarily diffuse (soft) lighting works best for jewelry. you have got most likely already discovered that Associate in Nursing on-camera flash doesn’t result in sensible jewelry photos. Not solely is that the camera’s flash too bright at such an in-depth distance. However, it’s most likely within the wrong position to truly illuminate the jewelry properly.

On camera flash also will produce harsh and distracting shadows. Instead of flash, we have a tendency to prefer to use continuous lighting for product photography. Mistreatment continuous lights make it easier to envision what the ultimate image is like.

LIGHTING FOR JEWELLERY PHOTOGRAPHY

We like daylight balanced compact fluorescent bulbs for lighting. These bulbs give nice, natural-colored lightweight and that they manufacture little heat. So that they may be left on for long photograph sessions while not overheating the lensman. Even fluorescent lightweight bulbs can be subtle Associate in Nursing for that we have a tendency to use a diffuser. A tiny low lightweight tent makes it straightforward to cut back glare and management shadows for jewelry photography.
Proper exposure is additionally key to sensible jewelry photographer. For a lot of info on adjusting the exposure for jewelry pictures take a glance at this page. Currently, let’s consider some specific jewelry photography things that transcend the fundamentals.

02/04/2022

SHOE PHOTOGRAPHY

MEN’S SHOE PHOTOGRAPHY

BACK GROUND FOR MENS SHOES PHOTOGRAPHY

1. Don’t use coloured backgrounds, they spoil the colour of your shoes.
2. Prefer a paper sweep as a result of sweeps get dirty, and you’ll simply bring to a halt the dirty half and roll a brand new piece down.
3. Don’t let direct daylight hit your set, it’s harsh and appears dangerous on merchandise.
Set your white balance (WB) to machine (AWB).
4. If you don’t have a lightweight box, use 3 lamps, one on top, left and right for the most effective light-weight.
5. Stuff the shoe with tissue or crumpled paper or use floss to the shoe’s straps to carry them up within the frame.
6. Make sure that footwear appearance its best by making the illusion that it’s being worn by somebody.

MODEL FOR MENS SHOES PHOTOGRAPHY

1. Chose shoes’ sizes: seven for ladies, 9 for men.
2 . For the photos, you would like models with slender legs.
3 . Don’t photograph the complete figure of the model, the legs are enough.
4. Shoot the model in motion (dancing, walking, jumping).
5. The model’s outfit ought to suit the shoes’ color palette.

ANGLES

1. Capture as several angles as potential.
2. Photograph the scene.
3. Photograph the read from the rear.
4. Photograph the highest read.
5. Photograph a read of the merchandise turned slightly to the left/right.
6. Take a “detail” shot nearer to point out texture, material, etc.

RETOUCHING

1. Make pure white background via a clipping path.
2. Add the borders.
3. Provide natural shadows.
4. Do good cropping.
5. To show many pictures of a shoe from totally different angles on one photo, draw lines designating the bottoms and top notch of the shoes so you’ll move the pictures
correctly in regard to one another.
6. Recolor parts if they were modified attributable to poor lighting.
7. Don’t build an excessive amount of picture retouching, the shoes ought to look as they’re in real.

LIGHTING

1. Use a robust thread to float the shoes and also the shoelaces.
2. Use 2 sources of lighting to not build shadows too harsh.
3. Switch your camera to manual and set your exposure. don’t modification this between shots.

4. To get eliminate areas wherever your hand is obscuring the thing, attempt victimization the clone tool in Photoshop.

GARMENTS PHOTOGRAPHY FOR E-COMMERCE

02/04/2022

GARMENTS PHOTOGRAPHY FOR E-COMMERCE

Garment photography can be tricky if you want to take good quality pictures. The main part of struggle to eradicate hard shadows. Even lot of shades of soft shadow can create the actual problem. Garment photography is mainly done for E Commerce where a fashion model or mannequin poses wearing garments provided by the client. While doing a garment photography. It’s so challenging to get the shots of clothing at it’s best so that it approaches maximum to shoppers.

Few tips to improve Garment Photography:

One of the most easiest way to know and understand garment photography is to shoot flat clothes. If want to see some amazing samples of flat or folded cloth getting clicked you can check the latest Ajay Walia Photography. Who have done wonder in clicking garment photography. In this section we will be talking about all the latest techniques. And never forget that the companies spends huge amount of money to appoint a fashion stylist to manage all the styling part when shoot is going on. Selection of fashion model to get “wow” factor in your pictures, so just be careful in this part.

If you choosing flat fold technique for you garment photography then you have to face some kind of limitation. As flat fold cloth technique requires a good height so that it captures full image. In that case we need to rise the camera safely with the help of a good stable tripod. Choose your tripod wisely you don’t want invest in something which cannot give you the result. Click a picture of dress then the height of the camera may rise to six feet or more than that to cover the full length of dress.

Shooting with live models and mannequin requires great lighting set up. Though it’s quite difficult to work with love fashion models. In our garment photography kit there are many options of continuous light which can work for any situation whether you are shooting flat fold garment or working with live fashion models.

Background plays the most imperative role while shooting garments, it defines the texture and design of the garment. White and black backgrounds are the most common and favourite among garment photography.